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Balinese city, Indonesian nation

Nation-building is also very much a Balinese concern. It is "Indonesia" and "development" overtaking Bali. Denpasar is the center from which the national language, Bahasa Indonesia, is spreading to other parts of the island. One speaks Indonesian here interspersed with Balinese words. Through Denpasar, Bali is surrendering its most potent cultural force: its language.

Denpasar is also the breeding ground for a revamped traditional culture. It is here that the concepts of Balinese Hinduism are being re-Indianized by the Parisada Hindu Dharma (Religious Council of Hinduism), beyond the maze of Bali's old lontars and oral traditions. The Supreme God, Widhi, here assumes precedence, relegating the ancestors to minor functions. New prayers are taught (Tri Sandhya) and new government priests officiate, called from Denpasar to the villages for the rites of officialdom and for inter-caste rituals. Reversing the old village-based trend,

Denpasar is also home to the New Arts. New dances and music are created and taught spreading into the villages from the city.

Last, but not least, Denpasar is the home of a new breed of Balinese. Born to th sounds of a new music, raised in a world o new wishes and desires, taught in the word of a new national language and culture, the young of Denpasar are Jakarta-looking rather' than Bali-oriented. Their thoughts take for in a world of Kuta discos and lavish Sanur villas. They are the avant-gardes of a new Westernized Indonesia. Resilience, renew and decadence - Denpasar will in any case be the stage for a new Bali.

Denpasar sights

As a microcosm both of modern Bali and modern Indonesia, Denpasar is easier to understand than to see. Nevertheless, it awaits the intelligent traveler who wants to learn about the future as well as the past, and who wishes to take home more than just a few images. So forget your lens for awhile. Forget the traditional village Bali; have a look at the new urban Bali.

In the very heart of Denpasar, just behind the main artery of the city, Jalan Gajah Mada one can see many traditional compound with their gates, shrines and pavilions, in among the multi-story Chinese shop fronts Shrines dwarfed by parabolic TV antenna Gods of the past versus gods of the future?

For a more typical look at Denpasar's villages, a drive through the streets of the "villages" of Kedaton, Sumerta, and particularly Kesiman will do. Kesiman has some of the best examples of the simple, yet attractive Badung brick-style. Alas, dying witness to a passing grandeur, the Badung brick-style is disappearing, replaced by the new baroque of the Gianyar-style, and the ugliness of reinforced concrete.

Of the temples, the most ancient is Pura Maospahit, right in the middle of the city on the road to Tabanan. It dates back to the Javanization of Bali in the 14th century. No less interesting, although more recent, are the temples of the royal families: Pura Kesiman with its beautiful split gate, Pura Satria and its lively bird market, and Pura Nambang Badung near the princely compounds of Pemecutan and Pemedilan.

A "modern" temple is also worth a visit the Pura Jagatnatha, right on the central square of the city next to the museum. Built as a "world" (Yagat) temple, its tallest building is a big padmasana "lotus-throne" shrine that symbolizes the world as the seat of ParamaSiwa, the "Supreme Siwa." Modern Hindu intellectuals meet there for full-moon religious readings - a barometer of Bali's new monotheism.

Among the palaces, the most typical is the Jero Kuta, which still has all the functional structures of a traditional princely compound. The Pemecutan Palace has been transformed into a hotel. The Kesiman Palace, a Private mansion, houses the most elaborate family temple.

For a look at examples of traditional Balinese architecture, one might visit the Bali Museum, right on Taman Puputan square. The good, yet ill-presented collections are kept in buildings illustrative of the Tabanan, Karangasern and Badung styles. More..

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